Join the Team/Job Postings
Graphics Software Developer - Nuke Pipeline
Sony Pictures Imageworks is seeking a strong programmer to join the Development Group at Imageworks
The Nuke Pipeline engineer develops and maintains an efficient and creative workflow for compositing artists. This includes continued integration of Nuke into an established studio pipeline, creation of new plugins, scripts, and user interfaces. This position requires collaboration with in-house engineers, outside vendors, as well as compositing and lighting artists. The tools created help to facilitate cutting edge imagery on a wide variety of shows.
- Experience programming in Python and C++
- Experience with Nuke’s python APIs, NDK, gizmos, and compositing workflows
- Knowledge of compositing, lighting and studio pipeline development
- Ability to analyze and review compositing scripts for issues and inefficiencies
- Good communication skills and an aptitude for working in small teams
- Experience writing image and/or geometry plugins in C++ in Nuke or other compositing package
- Bachelor in Computer Science or equivalent
- Stereo workflows and toolsets
- Experience with UNIX / Linux
- Strong knowledge of PyQt or PySide are highly desired.
- Knowledge of third party graphics applications (e.g. Maya, Houdini, Katana)
- Experience and interest in color pipeline management
About the Team: Backend Dev
The Backend Development team works closely with artists in rendering, compositing, stereo, color science and fx. We support both off-the-shelf and proprietary tools, developing the workflows that help artists efficiently create amazing images for film.
Some of the types of tasks associated with our group include:
- Core technology growth in our Katana lighting tool, working closely with The Foundry’s Katana engineers.
- Ongoing contributions to open source projects like OpenColorIO, OpenImageIO, OSL, Alembic, and more.
- GPU implementations for visualization of assets.
- Support color integration for all shows and outside vendors as well.
- Creating cutting-edge, next generation rendering algorithms within our version of Arnold.
- Reducing the time to first pixel as well as finding efficiencies through more streamlined toolsets.
- Leveraging and honing OSL to produce easy-to-use, realistic shaders that just look good out of the box.
- Integrating Houdini and Maya tools to our fx pipeline. Visualizing fx elements within Katana and Arnold.
- Continuously improving toolsets, as needs arise, for show driven technology requirements.
Those with a penchant for assessing artist workflow limitations, and the aptitude to implement a cohesive solution, are encouraged to apply.
To Apply:Please submit a resume and reel link to email@example.com for consideration.
- Growth Opportunities for advancement
- PRODUCTION SERVICES TECHNICIAN
- Production Finance Coordinator
- Experienced Animator
- Pipeline TD
- Experienced Pipeline TD
- Texture Artist
- Experienced Texture Artist
- FX Artist
- Experienced FX Artist
- Experienced Lighter
- Experienced Modeler
- Character FX TD
- Experienced Character FX TD
- Experienced Compositor
- Matte Painter
- Experienced Matte Painter
- Layout Artist
- Experienced Layout Artist
- Experienced Rigger
- Software Engineer (for Web development)
- Software Engineer (for Desktop Apps)
- Senior Systems Engineer (UNIX)
- Intermediate Systems Engineer (UNIX)
- RENDER EFFICIENCY ENGINEER - ARNOLD TEAM
- RENDERING ENGINEER - ARNOLD
- SENIOR VFX COORDINATOR
- Production Tracking Developer
- SENIOR SOFTWARE ENGINEER
- SHADER WRITER
- Jr. Digital Production Accountant
- Graphics Software Developer - Nuke Pipeline
Qualified candidates should send their materials to:
Sony Pictures Imageworks
Attention: Human Resources
9050 W. Washington Blvd.
Culver City, CA 90232
Fax: (310) 840-8888
All artist submissions MUST contain the following:
- Cover Letter which states the position you are applying for and your availability
- Demo Reel and/or Portfolio (if applicable to the position)
- Demo Reel and/or Portfolio Breakdown which describes your specific contributions to the work
**Please be sure NOT to send original materials, as submissions will not be returned.**
Submission Tips & Guidelines
- Reels should be on DVD or VHS (NTSC) - Beta or PAL will not be accepted
- Do not send CD ROMS or refer us to a website - hardcopy submissions only
- Reels should be clearly labeled with your name and contact information
- The length of your reel should be limited to 5 minutes and consist of the work you're most proud of beginning with your most recent work
- Music should not contain vocals unless lip-syncing skills are illustrated
- Please include a credit list explaining what you did on your reel and what software (if applicable) was used to achieve the effects
- Demo reels should be well edited and concise (less than 5 minutes).
- ANIMATORS NOTE: Please include all traditional work (life drawings, pencil tests, etc.) either on your reel or with your portfolio
Please be sure your portfolio is clearly labeled with your name, address and telephone number on both the inside and outside.
All portfolios should contain the following:
- Samples of your recent work
- Life Drawings
- Rough Sketches of animals and humans in movement
- Samples of your color and design sense
- We prefer artists to limit their portfolios to 20 pieces representing their strongest current work.
- Do not send original copies of your work as it will not be returned