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ADR

Sony Pictures Post Production has highly experienced recording talent and three state-of-the-art ADR recording studios, including two large stages to accommodate group sessions. All stages feature full connectivity with our editorial suites, and high-speed data (ISDN) capabilities to support sessions at external domestic and international facilities.

Contact Julianne McCormack at 310-244-4000 to schedule your next ADR project.

ADR 1

ADR 1

The newly updated ADR 1 exemplifies the pinnacle of performance design. Incorporating robust and innovative technologies, it is recognized as the go-to studio for complex projects and discriminating performers.

  • SPECIFICATIONS
  • Newly renovated fully digital signal path including
  • Tens of mic lines
  • Aphex 1788A-R remote microphone preamplifier
  • Yamaha DM2000 V2.x digital production console and plug-ins
  • ProTools HD system and plug-ins
  • Fostex DV824 multitrack digital production recorder
  • State of the art monitoring and recording tools
  • Soundmaster ION:
  • A singularly robust and dexterous motion controller
  • A wide array of microphones including:
  • Sennheiser MKH 50’s & 60’s
  • Schoeps CMC’s
  • Neumann KMR 81’s, TLM 170’s & U87’s
  • Audio Technica AT 4060 tube
  • Sanken & Sonotrim wireless lavalieres
  • Plus access to the vaults in our production deptartment
  • Digital Picture:
  • Full Hi Definition picture projection and monitoring
  • Hi Definition Video streamers for cueing talent
  • RECORDING AMENITIES
  • Akai MPC100 sampler for cue rehearsal and playback fill
  • ISDN – industry standard Dolby Fax
  • Phone Patch – for sound design or offline personnel connectivity
  • Walkie Talkies and Bullhorn for sound design
  • Versatile studio acoustics flawlessly mimic a wide variety of interiors and exteriors
  • Perfect for large or small groups & perfect for multichannel (5+) group recordings
  • Stage dimensions: 30’x 36’
  • Stage height: 20’
  • Screen size: 16’x8’
  • Seating for 22+
  • A remarkably client-oriented control room:
  • Plenty of producer's surface area
  • Perfect for animation pre-records
  • WiFi
  • Xerox/Fax/copier/printer/scanner
  • Seating for 10+
  • The ADR 1 Green Room:
  • A perfect place for actors to await their appointment or break for lunch
  • Great for EPK interviews, meetings or make-up
  • Steinway grand piano for vocalizations
  • Seating for 12

ADR 2

ADR 2 is a client-friendly, state of the art ADR stage. Many feature films and television shows have been recorded on ADR 2.

  • SPECIFICATIONS
  • Fully digital signal path including:
  • Aphex 1788A-R remote microphone preamplifier
  • Yamaha DM2000 V2.x digital production console and plug-ins
  • ProTools HD system and plug-ins
  • Fostex DV824 multitrack digital production recorder
  • State of the art monitoring and recording tools
  • Apogee D/A Converters
  • Soundmaster ION:
  • A singularly robust and dexterous motion controller
  • TA wide array of microphones including:
  • Sennheiser MKH 60's
  • Schoeps CMC’s, KMR 81, CMIT
  • Neumann TLM 67, M149 & U87
  • Sonotrim and Sanken lavalieres
  • Plus access to the vaults in our production dept.
  • Digital Picture:
  • Avid Mojo, Quicktime, DV etc.
  • Roland SP 505 sampler for cue rehearsal and playback fill
  • Precision Analog Systems Class A microphone preamps
  • ISDN – industry standard Dolby Fax
  • Phone Patch – for sound design or offline personnel connectivity
  • Walkie Talkies and Bullhorn for sound design
  • ACCOMODATIONS
  • Versatile studio acoustics flawlessly mimic a wide variety of interiors and exteriors
  • Perfect for large or small groups
  • Stage dimensions: 22’x 26’
  • Stage height: 25’
  • Screen size: 13’x 7.5’
  • Seating for at least 16
  • A remarkably client-oriented control room:
  • Plenty of producer's surface area
  • Apple Airport networked to printer and DSL internet
  • Xerox/Fax/copier/printer/scanner
  • Seating for at least 7

ADR 3

ADR 3 is a stage filled with history. It is a versatile, intimate stage that has successfully enhanced countless feature films and television shows.

  • SPECIFICATIONS
  • Newly renovated digital signal path including:
  • API 3124 microphone preamplifier
  • Yamaha DM2000 V2.x digital production console and plug-ins
  • ProTools HD system and plug-ins
  • Fostex DV824 multitrack digital production recorder
  • State of the art monitoring and recording tools
  • Soundmaster ION:
  • A singularly robust and dexterous motion controller
  • A wide array of microphones including:
  • Sennheiser MKH 50’s & 60’s
  • Schoeps CMC’s
  • Neumann TLM 170’s, U87’s & KMR 81’s
  • Audio Technica AT 4060 tube
  • Sonotrim and Sanken lavalieres
  • Plus access to the vaults in our production dept.
  • High Definition Picture
  • Eventide H3500 sampler for cue rehearsal and playback fill
  • ISDN – industry standard Dolby Fax
  • Phone Patch – for sound design or offline personnel connectivity
  • Walkie Talkies and Bullhorn for sound design
  • ACCOMODATIONS
  • Stage dimensions: 16’x 18’
  • Stage height: 13’
  • 60” HD monitor
  • A remarkably client-oriented control room:
  • Plenty of producer's surface area
  • Apple Airport networked to internet
  • Xerox/Fax/copier/printer/scanner
  • Comfortable seating for at least 6