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Awards

  • Academy of Motion Picture Arts & Sciences - Oscar® Recipients
  • 2017 - Best Sound Mixing, Hacksaw Ridge, Kevin O’Connell
  • 2013 - Best Sound Editing, Zero Dark Thirty, Paul Ottosson
  • 2009 - Best Sound Mixing, Hurt Locker, Paul Ottosson
  • 2009 - Best Sound Editing, Hurt Locker, Paul Ottosson
  • 2005 - Best Sound, Ray, Greg Orloff
  • 1992 - Best Sound Editing, Dracula, Tom McCarthy
  • Cinema Audio Society – Awards Recipients
  • 2011 - Outstanding Achievement in Sound Mixing for Motion Pictures, True Grit, Greg Orloff
  • 2010 - Outstanding Achievement in Sound Mixing for Television Series, Mad Men, Ken Teaney
  • 2010 - Outstanding Achievement in Sound Mixing for DVD Original Programming, Into the Blue 2: The Reef, Terry O’Bright
  • 2009 - Outstanding Achievement in Sound Mixing for a Motion Picture, Hurt Locker, Paul Ottosson
  • 2008 - Outstanding Achievement in Sound Mixing for Motion Picture, No Country for Old Men, Greg Orloff
  • 2006 - Outstanding Achievement in Sound Mixing for a TV Series, Deadwood, Russell Smith
  • 2004 - Outstanding Achievement in Sound Mixing for Television - Non-Fiction, Variety or Music Series or Specials, The Blues: Road to Memphis, Tateum Kohut
  • British Academy of Film & Television Arts – Awards Recipients
  • 2009 - Best Sound, Hurt Locker, Paul Ottosson
  • 2005 - Best Sound, Ray, Greg Orloff
  • 1986 - Best Sound, Out of Africa, Tom McCarthy
  • Academy of Television Arts and Sciences – Emmy Recipients
  • 2010 - Outstanding Sound Editing for a Series, 24, Pembrooke Andrews
  • 2009 - Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour), Entourage, Bill Jackson
  • 2008 - Outstanding Sound Mixing for a Miniseries or a Movie, John Adams, Tony Lamberti
  • 2006 - Outstanding Sound Editing for a Miniseries, Movie or a Special, Flight 93, Mark Linden & Tara Paul
  • 2005 - Outstanding Sound Editing for a Miniseries, Movie or a Special, The Life and Death of Peter Sellers, Geoffrey Rubay
  • 1998 - Outstanding Sound Mixing for a Drama Series, Chicago Hope, Russel Smith

Nominations

  • Academy of Motion Picture Arts and Sciences – Oscar® Nominees
  • 2014 - Best Achievement in Sound Mixing, Inside Llewyn Davis, Greg Orloff
  • 2012 - Best Sound, Moneyball, Deb Adair
  • 2010 - Best Achievement in Sound Mixing, Inglourious Basterds, Tony Lamberti
  • 2008 - Outstanding Sound Mixing for a Miniseries or a Movie, The Andromeda Strain, Terry O'Bright
  • 2006 - Best Sound , Apocalypto, Kevin O'Connell
  • 2005 - Best Sound, Memoirs of a Geisha, Kevin O’Connell
  • 2004 - Best Sound Editing, Spider-Man 2, Paul Ottoson
  • 2004 - Best Sound Mixing, Spider-Man 2, Kevin O’Connell
  • 2002 - Best Sound, Spider-Man, Kevin O'Connell
  • 2001 - Best Sound, Pearl Harbor, Kevin O’Connell
  • 2000 - Best Sound, The Mummy, Chris Carpenter
  • 2000 - Best Sound, The Patriot, Kevin O’Connell
  • 1998 - Best Sound, Armageddon, Kevin O’Connell
  • 1998 - Best Sound, Mask of Zorro, Kevin O’Connell
  • 1997 - Best Sound, Con Air, Kevin O’Connell
  • 1996 - Best Sound, The Rock, Kevin O’Connell
  • 1996 - Best Sound, Twister, Kevin O'Connell
  • 1995 - Best Sound, Crimson Tide, Kevin O’Connell
  • 1992 - Best Sound, A Few Good Men, Kevin O’Connell
  • 1990 - Best Sound, Days of Thunder, Kevin O'Connell
  • 1989 - Best Sound, Black Rain, Kevin O'Connell
  • 1986 - Best Sound, Top Gun, Kevin O'Connell
  • 1985 - Best Sound, Silverado, Kevin O'Connell
  • 1984 - Best Sound, Dune, Kevin O’Connell
  • 1983 - Best Sound, Terms of Endearment, Kevin O'Connell
  • Academy of Television Arts and Sciences – Emmy Nominees
  • 2015 - Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation, The Simpsons, Mark Linden & Tara Paul
  • 2015 - Outstanding Sound Editing for a Limited Series, Movie or a Special, 24, Pembrooke Andrews
  • 2015 - Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour), Silicon Valley, Todd Beckett & Elmo Ponsdomenech
  • 2013 - Outstanding Sound Mixing for a Comedy or Drama Series (One Hour), Mad Men, Ken Teaney
  • 2008 - Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour), Entourage, Bill Jackson
  • 2007 - Outstanding Sound Mixing for a Comedy or Drama Series (One-Hour), Deadwood – A Two Headed Beast, Russel Smith
  • 2004 Outstanding Sound Editing For a Series, Deadwood Deadwood (Pilot) HBO Red Board Productions and Paramount Television, Takako Ishikawa (Sound Editor), Kevin Wahrman (Sound Editor), Amy Kane (Foley Artist), and Anita Cannella (Foley Artist)